Thursday, August 11, 2011

Analysis of the Occult Symbols Found on the Bank of America Murals

Prominently displayed in the lobby of the Bank of America’s Corporate Center are “creepy” frescoes, filled with occult symbols. Even more unsettling is the fact that those images seem to predict events of a radical world change in the not-so-distant future. Are those murals predicting the coming of an occult New World Order? We will look at the occult meaning of the symbols found on the Bank of America frescoes.

A reader of Infowars sent me pictures of some very odd murals displayed at the Bank of America Corporate Center in Charlotte, NC. Needless to say they immediately caught my attention, as I was flabbergasted by their symbolism and their message. I also couldn’t help relating them to the ominous murals of the Denver International Airport.

Painted by Benjamin Long, the paintings are said to revolve around the themes of “making/building, chaos/creativity, and planning/knowledge in a “daring blend of abstract and realism, set off with touches of gold“.

The three frescoes ruling over the lobby of the Bank of America Corporate Center.

Although we normally read from left to right, there are clues within the frescoes hinting the viewers to read the paintings from right to left. The “planning” stage (visually represented by the fresco on the right) is normally the first step of any process so it would make sense to start from there. There is also alchemical symbolism hinting towards the chronology of the frescoes, so we will begin with the one on the right:

Right Fresco

The fresco on the right is dubbed Planning/Knowledge. An esoteric read of its symbolism reveals exactly what is being planned and what knowledge it is referring to.

Masonic Boy on Masonic Floor

We see here a young blond boy standing on a standard Masonic checker-board pattern floor. His feet are placed at a 90 degrees angle, in accordance to Masonic initiation ritual:

“Q. On your return to the Lodge, where were you placed, as the youngest Entered Apprentice?
A. In the northeast corner, my feet forming a right angle, my body erect, at the right hand of the Worshipful Master in the east, an upright man and Mason, and it was given me strictly in charge ever to walk and act as such.”
- Malcolm C. Duncan, Duncan’s Masonic Ritual and Monitor

Seemingly underneath the boy are people dressed in business suits, seemingly strategizing while pointing at the Masonic boy. Does the boy represent the “new generation”?
This blond boy is very reminiscent of the blond boy featured at the center of one of the murals of the Denver International Airport.

Blond boy hammering a sword into a plowshare. Note that the boy is wearing a traditional Bavarian costume … perhaps as in Bavarian Illuminati?

Burning Bush, Woman in Cube and Pyramid

Symbolism overload

Behind the boy is a tree on fire, which is a reference of the Burning Bush of the Old Testament. The Burning Bush is of great importance in Masonic ritual, especially for the 33rd degree, whose members are considered to be “near the Burning Bush”.

“In the third Exodus it is record that, while Moses was keeping the flock of Jethro on Mount Horeb, “the angle of Lord appeared unto him in a flame of fire out of the midst of a bush”, and there communicated to him for the first time his Ineffable Name. This occurrence is commemorated in the Burning Bush of the Royal Arch Degree. In all systems of antiquity, fire is adopted as a symbol of Deity; and the Burning Bush, or the bush filled with fire which did not consume, whence came forth the Tetragrammaton, the symbol of Divine Light and Truth, is considered in the advanced degrees of Freemasonry, like the Orient in the lower, as the great source of true Masonic light; wherefore Supreme Councils of the Thirty-Third Degree date their balustres or official documents, “near the B.B.” or Burning Bush, to intimate that they are, in their own rite, the exclusive source of all Masonic instruction”.
- Albert G. Mackey, Encyclopedia of Freemasonry, Part 1

In the background is an Egyptian pyramid, the ultimate symbol of the Mysteries in occult teachings.
A strange feature of the painting is the woman apparently trapped inside a transparent cube, hanging from threads coming from the sky. Does she represent the common man, stuck in the confines of the material world (occultly represented by the cube) and manipulated by unseen the forces from above?

Stairs and Black Sun

Jacob’s ladder and a black sun

On the left of the image are stairs, apparently leading to the heavens, a classic symbol representing the path to illumination/Illuminati through the mysteries of Masonry.

A Masonic engraving depicting stairs leading from the Masonic floor to the “outside”

In the sky is a black sun, another symbol of an esoteric significance. Hermetic traditions teach the existence of two suns, an invisible and etheric one made of pure “philosophical gold” and the material one, the only one the profane can perceive, known as the Black Sun.
In alchemy, the black sun (Sol niger) is the name of the result of the first stage of the Opus Magnum. The alchemical Magnum Opus (or Great Work) starts with the “blackening” – the calcination of crude metals – and ends with their transmutation into pure gold.
Today, the symbol of the Black Sun is mostly associated with esoteric Nazism and cults such as the Temple of Set. It is also found in odd places such as:

Bracken House, London. The Black Sun beares the face of Winston Churchill.

…and, once again, the Denver International Airport.

Floor design in the DIA depicting a black sun moving in front of the golden sun

The right fresco therefore seems to portray the first step of a “Great Work” that needs to be accomplished, as symbolically represented by the black sun. Men dressed in suits (one of them oddly looks like Adam Weishaupt), seem to be preparing a new generation of Masonic youth. Meanwhile, the “profane” seem to be idling in an translucent cube, controlled by invisible puppeteers.

Middle Fresco

The middle fresco, Chaos/Creativity, depicts a turbulent transitional period. Many details within the painting describe this profound turmoil, which seem to be affecting all part of society and civilization. We find military and religious figures, people protesting and much more.

Barb wires, nets and soldiers on the streets tell the viewers that this period of turmoil is also one of oppression. The nun does not seem very pleased either.

At the left of the painting is a person wearing a biohazard suit, hinting to some kind of chemical warfare.

Person in gas suit

For this reason, and many more, I find this painting very similar to one of the Denver Airport’s murals … the most infamous one.

This mural of the DIA portrays a militaristic figure wearing a gas mask and oppressing an endless line of sad people. Chemical warfare, military repression, dead babies … what is there not to like about this image?

If we look at the top of the fresco, we see translucent beings spinning with fire, perhaps implying that the turmoil is also happening on a metaphysical, cosmic or astral level.

Spinning naked bodies in a vortex of fire

This round fiery shape can also be likened to a sun. Its pale golden color and the transparency of its figures can be associated with the intermediate step of the great alchemical work named “Whitening”. Jung compared this step with daybreak, the preparation for the next and final stage, which is the sunrise, characterized by the color red. Which is, of course, the most prominent color of the left fresco.

The Occult Symbolism of the Los Angeles Central Library

By VC | January 26th, 2011 | Category: Sinister Sites | 170 comments
Throughout the history of Western Civilization, libraries have been the repositories of nations’ accumulated knowledge and the epicenters of their culture. Central libraries, more than being big buildings containing books, are important landmarks designed with impressive architecture and filled with symbolic art. The Los Angeles Central Library is certainly no exception. An in-depth look at the art found at the Library is quite a revealing one: It describes the occult philosophy of those in power. We will look at the Central Library’s history and the hidden meaning of its architecture.

Built in 1926, the Central Library is an important landmark of downtown Los Angeles. It is the central piece of one of the largest publicly funded library systems in the world, the Los Angeles Public Library (LAPL). Most touristic pamphlets describe the building’s design to be inspired by ancient Egyptian and Mediterranean Revival architecture. As we will see, this choice of design is not simply an aesthetic one, it rather recalls the teachings and the symbolism of the ancient mystery schools of Antiquity. In fact, after decoding the library’s many esoteric features, we can safely say that the building is mainly inspired by Freemasonry, which is, in turn, heavily steeped in ancient Egyptian and Mediterranean mysteries.

The Egyptian Room of a Masonic Lodge attest to the great importance of Egyptian mysteries in Masonic lore.

The Library’s tiled pyramid, two sphinxes, celestial mosaics and other details turn this public space into a true occult temple. Furthermore, the library is definitely built with an elitist state of mind. The true meaning of the art on display seems to be solely intended for initiates of secret societies and not the masses. Before we examine the building’s most important features, let’s look at the background of its builders.

Elite Architect: Bertram Goodhue

Bertram Grosvenor Goodhue, architect of numerous buildings of power.

The LA Central Library was designed by Bertram Grosvenor Goodhue, a prominent architect who was recognized and hired by America’s most powerful people. His works include governmental and military buildings, churches, libraries and the private houses of politicians.
One of the most recognized elite buildings designed by Goodhue is the headquarters of the Wolf’s Head Society – a secret society of Yale University. Along with the notorious Skull & Bones and Scroll & Key – the two other secret societies found at Yale - Wolf’s Head functions are quite similar to Freemasonry: It is a discreet yet major force influencing one of America’s most elite universities. It has held within its ranks members who went on to become prominent politicians, diplomats, lawyers and athletes.

The insignia of Yale’s Wolf Head Society.

Perhaps Goodhue’s most notable project is the Rockefeller Memorial Chapel of the University of Chicago. Commissioned by America’s most powerful tycoon, John D. Rockefeller, the ecumenical Chapel is used for various religious celebrations. Rockefeller stated that the Chapel was meant to be the campus’ “central and dominant feature”.

The Rockefeller Memorial Chapel.

The Chapel was designed in collaboration with Lee Lawrie, America’s foremost architectural sculptor. The duo worked on several other important projects such as Nebraska’s State Capitol and the Los Angeles Central Library, the subject of this article.

Sculpture of Bertram Goodhue holding the Rockefeller Chapel by the Rockefeller’s favourite sculptor, Lee Lawrie.

Elite Sculptor: Lee Lawrie

Lee Lawrie

Born in Germany in 1877, Lawrie came to the United States at the age of 5. After learning the craft from some of America’s leading artists, Lawrie collaborated with Goodhue on several projects and became America’s leading sculptor. His unique style and his knowledge of occult symbolism, ancient mysteries and Masonic principles apparently made him the elite’s artist. Some of his high-profile commissions include: the allegorical relief panels of the United States Senate, the Louisiana State Capitol, the statue of George Washington at the National Cathedral in Washington D.C and the Harkness Tower of Yale University.

Lawrie’s statue of George Washington at the National Cathedral. Notice the Masonic Square and Compass behind him.

Lawrie’s most recognizable works are however displayed at the Rockefeller Center.

Lawrie’s Wisdom, above the main entrance of 5, Rockefeller Center, NY. The sculpture, depicts a gnostic demi-urge holding a Masonic compass.

As described in a previous Vigilant Citizen article entitled Sinister Sites: Rockefeller Center, the complex built by John D. Rockefeller is filled with symbolic art describing the elite’s Luciferian philosophy based on the acquisition of divine knowledge (more on this later). Another important piece conceived by Lawrie at the Rockefeller Center is the statue of Atlas.

Lee Lawrie’s Atlas at Rockefeller Center.

Atlas is used by the ruling class as a metaphor “for the people who produce the most in society”, and therefore “holding up the world” in a metaphorical sense. Not surprisingly, Atlas is associated with some of the most important works of fictions describing the point of view of the elite.

Fritz Lang’s Metropolis and Ayn Rand’s Atlas Shrugged: two classic works of fiction describing the vision of the world’s occult elite. Both work’s promotional material feature Atlas, a metaphor for the elite “upholding the world”.

Knowing that Goodhue and Lawrie produced symbolic architecture for America’s most prominent tycoons, politicians and institutions, would you be surprised if the Central Library contained the same?

The Central Library

Facade of the Los Angeles Central Library

The library was originally built in 1926 by Bertram Goodhue. According to the Library’s documentation, the architecture’s central theme revolved around “illumination through the light of learning”. Due to an arson fire in 1986, the building underwent extensive renovations and expansion – but the central theme was faithfully respected. The artwork’s spiritual and esoteric undertones make the entire complex a “temple of illumination”. It is replete with profound mystical symbolism, sacred geometry, proportions and allusions to important occult works. The Los Angeles Central Library and the Rockefeller Center are very similar in this regard – not surprising, as Lee Lawrie masterminded both complexes. As it is the case for the Rockefeller Center, the torch of Illumination, representing divine knowledge, is the most important symbol of the Library.

The Pyramid of Illumination

Pyramid of Illumination at the top of the Library

Throning at the top of the Library is probably the complex’ most distinctive feature: A tiled pyramid topped by a golden hand holding a torch. Other than being beautiful and decorative, the Library’s apex has a deep occult meaning, clearly inspired by Freemasonry.
First, in occult lore, the pyramid is considered to be the ultimate symbol of the Mysteries. It represents the transition from the material plane to the spiritual world. From the square-shaped base of the pyramid (representing the material world) rise, in mathematical perfection, four triangles (representing divinity). According to many occult researchers, the pyramids of Ancient Egypt were most likely used for the purposes of initiation, where candidates were led to the path of Illumination.

“The more the great Hierophants were at pains to conceal their absolute Science, the more they sought to add grandeur to and multiply its symbols. The huge pyramids, with their triangular sides of elevation and square bases, represented their Metaphysics, founded upon the knowledge of Nature.“
- Albert Pike, Morals and Dogma

On each side of the pyramid is a sun symbol, the most visual ancient representation of deity.

“The adoration of the sun was one of the earliest and most natural forms of religious expression. Complex modern theologies are merely involvements and amplifications of this simple aboriginal belief. The primitive mind, recognizing the beneficent power of the solar orb, adored it as the proxy of the Supreme Deity.”
- Manly P. Hall, The Secret Teachings of All Ages

Although the sun (or sunburst) is the most common occult symbol to represent the divine, it is however not directly worshiped as a god. It is a visual representation of the divinity. For this reason, the Central Library is replete with references to the sun.

In all the histories of the Gods and Heroes lay couched and hidden astronomical details and the history of the operations of visible Nature; and those in their turn were also symbols of higher and profounder truths. None but rude uncultivated intellects could long consider the Sun and Stars and the Powers of Nature as Divine, or as fit objects of Human Worship; and they will consider them so while the world lasts ; and ever remain ignorant of the great Spiritual Truths of which these are the hieroglyphics and expressions.
– Albert Pike, Morals and Dogma

The Luciferian Torch

Above the pyramid is golden hand holding a torch. There is a reason why this symbol is sitting above all others in the building: It is a perfect representation of the building’s philosophy, Luciferianism.

The original torch is on display inside the Library. There, we can see more of the torch’s detail, including the serpent of knowledge intertwining its base.

In Latin, the word “Lucifer” means “light bearer”. In occult symbolism, light and fire esoterically represent divine knowledge and enlightenment. A hand holding a lit torch therefore represents man’s ascent to divinity through the teachings of the Mysteries. The Gnostic interpretation of the story of the Genesis considers the snake (Lucifer) as a positive figure. It has given humans the intellectual faculties to reason and to ascend to divinity by their own means.

“Luciferianism represents the ultimate inversion of good and evil. The formula for this inversion is reflected by the narrative paradigm of the Gnostic Hypostasis myth. As opposed to the original Biblical version, the Gnostic account represents a “revaluation of the Hebraic story of the first man’s temptation, the desire of mere men to ‘be as gods’ by partaking of the tree of the ‘knowledge of good and evil.”
- Carl A. Raschke,The Interruption of Eternity: Modern Gnosticism and the Origins of the New Religious Consciousness

In occult teachings, Lucifer is not an existing being and is not equal to Satan. While Satan is esoterically associated with the descent to materiality, Lucifer represents the ascent to divinity using the cognitive powers of man. Through the acquisition of the knowledge of the Mysteries, an initiate has the:

“opportunity to erase the curse of mortality by direct encounter with the patron deity, or in many instances by actually undergoing an apotheosis, a transfiguration of human into divine”.
- Ibid.

Masonic authors such as Albert Pike and Albert G. Mackey have referred to the “luciferian path” and the “energies of Lucifer” to describe the “search for light”. The term “luciferian” is therefore used in the scholarly sense of “bringing enlightenment”. Masonic scholars often invoke Prometheus, who stole fire from the gods to bring to man, to describe this concept. For this reason, Prometheus is the central figure of the Rockefeller Center.

Prometheus, the Hellenic equivalent of Lucifer, bringing divine knowledge to humanity at Rockefeller Center.

The references to Lucifer in this library do not stop here.

The Western Facade – Phosphor and Hesper

Western facade of the Library

Conceived by Lee Lawrie, the Western facade of the Library is another nod to the Mystery schools. Two human figures are depicted with the names “Phosphor” and “Hesper” underneath them. This apparently minor detail is perhaps the most significant.
Phosphor (or phosphorus) is the Latin word for the planet Venus in the morning, also referred to as the “Morning Star” or the “bringer of light”. Those terms are synonymous with Lucifer.

“Believing Venus to be two bodies, the Ancient Greeks called the morning star Φωσφόρος, Phosphoros(Latinized Phosphorus), the “Bringer of Light” or Ἐωσφόρος, Eosphoros (Latinized Eosphorus), the “Bringer of Dawn”. The evening star they called Hesperos (Latinized Hesperus) (Ἓσπερος, the “star of the evening”). By Hellenistic times, the ancient Hesperos would be translated into Latin as Vesper and Phosphoros as Lucifer (“Light Bearer”), a poetic term later used to refer to the fallen angel cast out of heaven.
- William Sherwood Fox, The Mythology of All Races: Greek and Roman

Hesper (or Vesperus) refers to Venus in the evening, the evening star.

“The disciples of Pythagoras also highly revered the planet Venus, because it was the only planet bright enough to cast a shadow. As the morning star, Venus is visible before sunrise, and as the evening star it shines forth immediately after sunset. Because of these qualities, a number of names have been given to it by the ancients. Being visible in the sky at sunset, it was called vesper, and as it arose before the sun, it was called the false light, the star of the morning, or Lucifer, which means the light-bearer”.
- Manly P. Hall, The Secret Teachings of All Ages

So Phosphor and Hesper are two words signifying the same entity, Venus, a celestial body occultly associated with Lucifer, at different stages of evolution. The figure representing Phosphor holds the names of Eastern philosophers such as Moses, Zoroaster and Buddah, while Hesper holds the name of Western thinkers such as Socrates, Francis Bacon and Immanuel Kant. These historical figures have not been chosen at random: they all play important roles in the teachings of the Mystery Schools. In fact, Francis Bacon, René Descartes and Immanuel Kant are central figures of the revival of modern Rosicrucianism and Freemasonry in Western civilization.
At the top of the wall is the Latin saying “et quasi cursores vitai lampada tradunt”. This is a quote from the Roman poem De Rerum Natura (On the Nature of the Universe) written by Lucretius and can be translated to “And like runners they pass on the torch of life“. The “torch of life” can be equated to the occult Mysteries, the hidden knowledge passed down from generation to generation through secret societies. Between Phosphor and Hesper, we see a cavalier passing the “torch of life”, or occult knowledge, to the next generation and from the East to the West.
The western facade of the Library, which also serves as the main entrance, is therefore a very significant piece representing the enduring existence of mystery schools through luciferian philosophy. All of this, and we haven’t even stepped inside the building.

Illuminated Globe

9-Feet wide globe chandelier

Situated right under the pyramid on the top of the building, this globe chandelier is composed of cast bronze and, according to the Library’s documentation, weighs one ton. It was designed by Goodhue associates and modelled by Lee Lawrie.
The globe is surrounded by a ring containing the signs of the zodiac and is illuminated by 48 lights. The ring is attached to chains leading to the sunburst on the ceiling. As seen earlier, the sunburst is an ancient symbol representing divinity. This design is reminiscent of qabbalistic engravings representing the 72 names of God.

The seventy-two names of God from Kircher’s OEdipus Ægyptiacus. Like the library’s globe chandelier, this qabbalistic engraving bears the symbols of the planets and the signs of the zodiac.

Do the lights surrounding the globe represent the “circle of the illuminated”, the hidden rulers of the earth, who are connected to divinity through Gnosis? Do the 48 lights, mirroring the 48 sunrays, represent the hermetic axiom “As Above, so Below”?

“Despite statements to the contrary, Masonry is a religion seeking to unite God and man by elevating its initiates to that level of consciousness whereon they can behold with clarified vision the workings of the Great Architect of the Universe. From age to age the vision of a perfect civilization is preserved as the ideal for mankind. In the midst of that civilization shall stand a mighty university wherein both the sacred and secular sciences concerning the mysteries of life will be freely taught to all who will assume the philosophic life. Here creed and dogma will have no place; the superficial will be removed and only the essential be preserved. The world will be ruled by its most illumined minds, and each will occupy the position for which he is most admirably fitted. (…)
The perfect government of the earth must be patterned eventually after that divine government by which the universe is ordered.”
- Manly P. Hall, The Secret Teachings of All Ages

LADY GAGA"S "BORN DIS WAY"

Lady Gaga’s “Born This Way” – The Illuminati Manifesto

By VC | March 7th, 2011 | Category: Music Business | 968 comments

Lady Gaga’s single “Born This Way” introduces the viewers to the birth of a “new race” and to a new world, using intricate imagery and a precise narrative. It is a psychedelic trip filled with occult and archetypal symbols, telling the story of a cosmic birth and new ideals. However, behind its outward message of acceptance, a more sinister message lies embedded in the symbolism of the video. We will look at the underlying meaning of “Born This Way” and analyze the meaning of the occult symbolism in the video.

Lady Gaga is back, y’all. And she’s got horns on her forehead. And she’s in space. And she’s making 90′s dance music. And my head just exploded. But seriously, Born this Way seems to provoke in people two opposite reactions, depending on their knowledge of occult symbolism. It is either “What the heck just happened here?” or “This is really blatant”. The reason is simple. The video contains new strange elements that might confuse viewers but it also contains symbolism that is extremely ancient. Although the video is set in a futuristic, intergalactic world, it deals with the most primal concept of humanity: motherhood. It plays on human’s archetypal fascination and/or repulsion towards the act of giving birth.
Although the lyrics of Born This Way are about unconditional acceptance, with a special focus on homosexuality, the video’s scope goes way beyond the subject of sexual orientation. It narrates the birth of a new race within humanity. Laurieann Gibson, the creative director of the video describes this concept:

“At first, when I thought about birthing a new race and adding the prosthetics, I thought that maybe they should have a certain way they should walk or maybe they move a certain way, but then I realized it is actually a race within our race; it’s a mindset.”
- Source

Gaga is not giving birth to a human but to a “new race” within humanity. The symbolism of the video makes it clear that this birth is not natural, but artificially provoked. A twisted immaculate conception. As is the case for most Lady Gaga videos, the theme of mind control is important in the video. It is the process through which the metamorphosis will take place. In Monarch programming terms, we are witnessing the birth of a new persona within the “core personality” of humanity. The birth is happening within the minds of people and is visually represented by creepy facial horns.
(If you have not read previous articles on this site, mind control programming is the process through which a handler causes within a subject the “birth” of a new persona that can be programmed at will, through trauma and abuse. It is an actual process used by the CIA – MK-Ultra – and symbolism pertaining to this practice is widely present in popular culture. In the context of the video, the programming does not happen on a single person, but on a mass scale – a new race).
Furthermore, the esoteric imagery in the video describes a world change that is occurring as an alchemical process: The creation of magic through the unification of opposing forces portrayed through the use of archetypal symbols and messages. Yup, we’re still talking about a Lady Gaga video.

The Director

Although Born This Way is considered new and innovative, it is a perfect continuation of the themes exploited by previous Lady Gaga videos. Nick Knight, the director of the video, brings a different look and feel to Gaga’s message, but it remains very “elite friendly”. The fashion photographer is known for his visually dazzling photos and has worked with Alexander McQueen, Calvin Klein, Christian Dior, Kylie Minogue, Gwen Stefani and many others. His past work has also contained allusions to Monarch mind control.

Knight’s distinctive style in Born This Way was inspired by surrealist painters such as Salvador Dali and Francis Bacon. Let’s look at the video’s symbolism.

The Immaculate Conception

The video begins with the superposition of two evocative symbols:

Pink triangles pointing downwards were used in Nazi concentration camps to denote homosexual men. The same pink triangle pointing upwards has become a symbol of gay pride and gay rights. On an esoteric level, triangles pointing down are archetypal symbols representing the sacred feminine (in opposition to the upwards pointing triangle representing the phallic masculine). The inverted triangle is emblematic of the womb, the vessel and the uterus. It is the passive principle awaiting the active principle.
Inside the triangle is a unicorn, an ancient mythological creature emblematic of purity, spiritual enlightenment and fierceness – the horn is often viewed as symbolic of the union of with God. In esoteric terms it refers to the third eye or the pineal gland.
In Christian symbolism, the Unicorn is a symbol of Christ. It is also often associated with the Virgin Mary.

“Symbolically, the unicorn is a representation of Jesus, the horn represents the unity of Jesus and God, its fierceness and defiance were said to be a reminder that nothing can control Jesus against his will, and the small size of the animal represented Jesus’ humility.”
- Heather Changeri, The Virgin and the Unicorn

The link between the unicorn and the concept of virginity was popularized by a medieval myth describing how to hunt the creature. In order to catch a unicorn, a virgin is put in the field; the animal then comes to her and is caught, because it lies down in her lap.

This unicorn is inside a womb symbolically represented by the inverted triangle and therefore symbolically awaiting birth. The concept of purity associated with unicorn implies an “immaculate conception” as no sexual relation was needed to provoke this cosmic pregnancy (yes, I just said “cosmic pregnancy”). Gaga herself referred to this song in similar terms.

“I wrote ['Born This Way'] in 10 f—ing minutes. And it is a completely magical message song. And after I wrote it, the gates just opened, and the songs kept coming. It was like an immaculate conception.”
- Lady Gaga, Our Lady of Pop, Vogue Magazine

According to Carl Jung, whether we look at the religious or occult meaning of the unicorn, it ends up portraying the same concept: the union of seemingly opposite forces (i.e. purity and strength).

“The unicorn’s most vital function has been as a symbol, whether of power or virility, or purity, or the combination of opposites, of the male horn and the female body. Many modern interpreters regard this last role as the crucial one and relate it to the symbolism of the soul as the spark of divine light in the darkness of matter and evil, the body, and to the concept of the hermaphrodite as the perfect union of opposites.”
- Carl Jung, Man, Myth and Magic

That’s a lot of text to explain a single frame of the video. It is, however, an important frame because it sums up the entire concept of the video in a single image: the birth of a spiritual/galactic/metaphorical entity from an immaculate conception.
But what exactly is being born?In her narrative, Gaga says it is a new race, but the video, and the video’s director, suggests that it is a race born within the existing race, from people’s own minds. In the video, a symbolic image replaces the unicorn.

Gaga has two faces, not unlike Janus, the god of gateways and beginnings. In mind-control terms, the mask implies the existence of a programmed alter-personality. Porcelain masks are used in the actual (and horrific) Monarch programming process on slaves and handlers (in the video, Gaga seems to embody both roles).

“Fire torture and melted wax is used to make the child victim believe their face has been burned. Then the programmer generously gives the traumatized alters a porcelain mask. The alter getting the Porcelain face may be given a “gem” hypnotically like Jade and that becomes their secret name. There are several different methods that are available to lay in the porcelain face programming. There has been a great deal of porcelain casts made of people’s faces and then masks made of them. In fact, when a handler dies, at least in one case the replacement handler wore a mask to look like the previous handler.”
- Fritz Springmeier, The Illuminati Formula Used to Create an Undetectable Total Mind Controlled Slave

The mask inside the triangle implies the birth of a synthetic being, a human construct: a pre-established mindset for humanity. After this, Gaga begins her “Manifesto of Mother Monster”, describing the mindset.

Manifesto of Mother Monster and Birth

Gaga announces the birth of a new race in a speech with heavy occult undertones that contains references to ancient hermetic principles.

“This is the manifesto of Mother Monster: On G.O.A.T., a Government -Owned Alien Territory in space, a birth of magnificent and magical proportions took place.”

The magical birth took place on a “Government-Owned Alien Territory” – which is alluding to the fact that the birth is taking place under the supervision and approval of the powers that be: the elite, the Illuminati. It is also a great way to form the acronym G.O.A.T. and a great way to bring up Baphomet.

Gaga, playing the role of the Virgin about to give birth is symbolically shown inside the goat head, which emphasizes the occult and ritualistic nature of the birth taking place. Baphomet, represented by a goat’s head, is symbolic of magic created by the union of opposite forces, hence its androgyny (see the erect phallic symbol and the female breasts).

Baphomet is of great importance in Aleister Crowley’s Thelema – a modern occult philosophy that seems to be a source of inspiration for Gaga’s Manifesto. According to Crowley, Baphomet is a representative of the spiritual nature of the spermatozoa, while also being symbolic of the “magical child” produced as a result of sex magic. As such, Baphomet represents the Union of Opposites, especially as mystically personified in Chaos and Babalon, combined and biologically manifested with the sperm and egg united in the zygote.

“He is ‘The Devil’ of the Book of Thoth, and His emblem is Baphomet the Androgyne who is the hieroglyph of arcane perfection … He is therefore Life, and Love. But moreover his letter is ayin, the Eye, so that he is Light; and his Zodiacal image is Capricornus, that leaping goat whose attribute is Liberty.”
- Aleister Crowley, Magick Book 4

Concepts similar to those expressed by Crowley are incorporated to the Manifesto:

“But the birth was not finite. It was infinite. As the wombs numbered and the mitosis of the future began, it was perceived that this infamous moment in life is not temporal, it is eternal. And thus began the beginning of the new race, a race within the race of humanity, a race which bears no prejudice, no judgment, but boundless freedom.”

Is the “mitosis of the future” equivalent to Crowley’s “new eon”? The emphasis on the term “liberty” and “freedom” might be a reference to Crowley’s “Do What Thou Wilt” ethos, a concept calling for the seeking of one’s “True Will” without regard for the boundaries of ethics, moral principles or the concept of good and evil. The embrace of both good and evil is further portrayed in the video.
As Gaga says these words, she is shown giving birth to … something. As this something gets pushed out, butterflies appear.

Butterflies (especially Monarch butterflies) are symbolic of Monarch programming. Mind-control slaves who successfully create an alter-persona are compared to butterflies emerging from their cocoon. This implies that Gaga’s “new race” or “new philosophy” is not something that occurs naturally in society. It is rather something that will be forced on humanity using mind-control techniques.

The creation of this “beautiful” race leads to the birth of an evil entity, which seemingly exists to protect its interests and force its will upon the world.

But on that same day, as the eternal mother hovered in the mulitverse, another more terrifying birth took place: the birth of evil. And as she herself split into two, rotating in agony between two ultimate forces, the pendulum of choice began its dance. It seems easy, you imagine, to gravitate instantly and unwaveringly towards good. But she wondered, how can I protect something so perfect without evil?

As those words are being said, the camera slides upwards towards Gaga, forming a semi-hidden skull head made of human bodies, symbols of sacrifice representing the evil that resulted from birthing the “pure” creation. This concept is illustrated by the symbol of ying and yang and the Masonic checkered floor, where black and white coexist in an infinite pattern.

The evil force is represented by human skulls, which symbolically represent the elite’s death-culture, which celebrates sacrifices in order to generate “new life”. To illustrate the “political and governmental” aspect of this concept Gaga is shown firing a military rifle while church bells ring (announcing death of the masses).

Evil is therefore depicted as a necessary force to balance the existence of good (or what is portrayed as good in the video, as mind control is never “good”).
Thought this song was about gay pride? Apparently not. Oh, and then the song starts.

Him or H-I-M

The song starts with an odd statement:

“It doesn’t matter if you love him, or capital H-I-M”

Who is “Him” and, more importantly who is capital H-I-M? At first glance, “Him” can be interpreted as a masculine lover, in accordance with the “gay pride” aspect of the song. In that case, who or what is “capital H-I-M”? Is it God? In that is she referring to the distance between homosexuality and traditional religions? HIM is also the name of a popular Finnish rock band whose acronym stands for “His Infernal Majesty”. In this context, is Gaga saying “It doesn’t matter if you love him (God), or capital H-I-M (Satan)”? If that is the case, it would certainly fit with the dualistic, good versus evil, message of the video and the Thelemic theme of her manifesto.
Further in the song, another line states:

“A different lover is not a sin
Believe capital H-I-M (hey, hey, hey)”

In this spiritual context, is the “regular lover” God and the “different lover” His Infernal Majesty?
Dualism continues to be visually represented throughout the video with scenes celebrating life and love juxtaposed with scenes of celebrating death.

The rest of the video is a lot less symbol-intensive, as the focus shifts on choreography and female crotch-grabbing. No Gaga video (or any music business pawn’s video for that matter) is complete without the One-Eye Sign.

The video ends with a symbolic image, one to be expected when understanding the dualistic theme portrayed throughout the video.

The last frame of the video is the opposite of the first, as the pink triangle is pointing upwards. This alludes to the appropriation of this Nazi symbol by the gay rights movement and its reversal.
On an esoteric level, the upright triangle is the response to the inverted triangle and signals the end of the alchemical process. It represents the union of the opposites, in order to accomplish the Great Work: the occult transformation of men. When combined, the upright and the inverted triangle become a six-pointed star, a symbol known as the Philospher’s Stone or the Seal of Solomon.

“The interlacing triangles or deltas symbolize the union of the two principles or forces, the active and passive, male and female, pervading the universe … The two triangles, one white and the other black, interlacing, typify the mingling of apparent opposites in nature, darkness and light, error and truth, ignorance and wisdom, evil and good, throughout human life.”
- Albert G. Mackey, Encyclopedia of Freemasonry

If the video started with the unicorn inside the inverted triangle, symbolizing the impending birth of a pure spiritual being, the video ends with the opposite energy, death and corruption. Zombie-gaga, the evil by-product of the change imposed by G.O.A.T. In order for magic to happen, both of these triangles are necessary and they need to be united.

mehn some how we nid to realise dat the fins we do affect d people dat luv and carebout us
example, i just gotevry one in ma family pritty mad nd didnt show remose at all
i didnt realise dat i hurt dem alldippli. and d worst part is dat ; i wasnt trained on hw to say am sorry
and trust mi irilly am sorry; so sowi mum, aunt, grandma, and uncle

Friday, July 22, 2011

BRITNEY SPEARS

Britney Spears, Mind Control and “Hold it Against Me”

By VC | March 26th, 2011 | Category: Music Business | 564 comments
Britney Spears is a pop icon who simultaneously embodies the glamour of stardom and the destructive side of fame. She has reached the heights of super-stardom and the lows of tabloid humiliation. Her erratic behavior lead to numerous questions regarding her mental stability, but most are unaware of the most important fact: She is a product of Illuminati mind control. In fact, the video for “Hold it Against Me” symbolically portrays the manipulation and mind control she goes through. This article will look at significant events in Britney Spears’ life and at the hidden meaning of the video “Hold it Against Me”.

Britney Spears is the prototype of the modern pop star: young, sexy, controversial and completely manipulated by the entertainment industry. She has been literally groomed since childhood by industry execs to become a pop star. From working in Broadway at 8 years old and the Mickey Mouse Club at 12 to becoming a world-renowned pop star at 17, Britney is a true “showbiz child”. Today, most agree that she has reached the status of pop icon. Rolling Stone magazine wrote that Britney is “one of the most controversial and successful female vocalists of the 21st century,” and “spearheaded the rise of post-millennial teen pop”.
Despite her seven hit albums and her iconic status, most will remember Britney Spears not for her music, but for the drama surrounding her personal life. She was indeed involved in a long list of controversies and rumors regarding her love life, her past, her virginity, her drug use, her mental stability and even her parenting skills. While some believe that Britney deserves this public ridicule due to the fact she’s a “talentless hack” or “trailer trash” living a decadent lifestyle, others see in Britney the classic symptoms of a young performer who went through the devastating mind control machine of the entertainment industry. Britney indeed bears many classic symptoms of a Monarch programming victim. Further, the video of Hold it Against Me contains many visual clues that hint at Britney’s mental prison. We will first look at some significant events in Britney’s life and how they are related to trauma-based mind control, then we’ll look at the occult meaning of the video Hold it Against Me.

Raised in the Illuminati Entertainment Industry

Although it is difficult to determine which celebrities have actually undergone trauma-based mind control programming, Britney Spears displays the most obvious symptoms. She grew up in rural Louisiana in a family plagued with substance abuse and violence, making her an ideal candidate to be handed over to the industry. At age eight, Britney and her mother Lynne travelled to Atlanta for an audition in the 1990′s revival of The Mickey Mouse Club. Casting director Matt Cassella rejected her due to her young age, but still referred her to their talent agent Nancy Carson. Britney was then introduced to what Springmeier calls “The Network”. She then moved with her mother to New York and attended the Professional Performing Arts School. Soon after, she landed a job as an understudy in the Broadway musical Ruthless! with other industry child Natalie Portman.
At the age of 13, Britney was finally cast in the Mickey Mouse Club and entered Disney’s Illuminati mind-control system.

The Mickey Mouse Club is one of Disney’s many projects aimed to recruit and mold child stars. The corporation obviously means to make money off these young talents, but there is also a more sinister side to its operations. Disney has been used by the occult elite since its beginnings in the 1930s and has closely worked with the government on numerous occasions. Disney was hired by the government to produce numerous propaganda films and Walt Disney himself even participated in secret CIA secret projects. According to several researchers, Disney was part of the CIA’s MK-ULTRA program: Its properties were used for mind-control experiments and many of its productions deliberately contained mind-control triggers and symbolism.

“This author theorizes that the reason the FBI and CIA are so touchy about letting people know that Walt worked for the government is that the Network knows how the FBI and CIA worked together to procure children for mind-control programming purposes. Because Disney and Disneyland played such as an enormous role in Mind Control, Disney’s connection to them, although on the surface a seemingly minor fact, is in reality a minor fact sitting on top of an enormous ghastly secret.”
- Fritz Springmeier, Deeper Insights Into the Illuminati Formula

“CA–Disneyland has been an off hour site for Illuminati and satanic rituals for years. Programming has gone on using Disneyland as one big prop for programming. Many of the Disney movies are used for programming, and some Disney scripts are especially tailored for Monarch slave programming. The Peter Pan programming can use the ship. The space programming can use the space props. The satanic programming can use the castles. Lots of mirror programming is done at Disneyland, and Disneyworld. There is also Magic Mountain programming, and programming using the Around the World Dolls, and its theme song. Some of Wizard of Oz and the Cinderella programming was also done at Disneyland using costumes. Preverbal children are taken to Disneyland to get them ready for the scripts.”
- Fritz Springmeier, The Illuminati Formula to Create a Mind Control Slave

Disney’s involvement in mind control also reflected on the The Mickey Mouse Club and its trademark mouse ears became a symbol of mind control.

“In 1955, Walt Disney made his cartoon character Mickey Mouse real by creating a fan club–the Mickey Mouse Club, which aired five days a week usually just as children came home from school. Twenty-four children called Mouseketeers would help Mickey, and they would dance and sing and do skits. The Mickey Mouse Club adored the unique, cute little beanie Mickey Mouse caps with their big ears mounted to each side of the beanie. In the 1950’s, most kid viewers of the show wanted their own “Mouse Ears” and to become a Mouseketeer, especially children who were receiving Mickey Mouse scripts in their total mind-control programming.”
- Springmeier, Op. Cit.

According to ex-Illuminati programmer Svali, many pop singers are used by the Illuminati to promote their messages and perpetuate the idea of mind control. In one interview, Britney Spears and the Mickey Mouse Club are specifically mentioned:

“I believe that Brittany Spears, and others are being used by them to sing lyrics they like. (…) In fact, many of the top pop singers come from an internship with the “Mickey Mouse club” (yep, good old Walt the Illuminist’s Empire) and I believe they are offered stardom in exchange for allegiance or mind control.”
- “Exclusive Interview with an Ex-Illuminati Programmer/Trainer”, Source

Sex Kitten Programming

In 1998, Spears signed with Jive records and released her first solo album …Baby One More Time. As it is the case for almost all teenage Disney stars, Britney’s image was focused on a blend of childhood innocence and sexuality – the sexualization of childhood is now a recurring theme in pop culture. It is also the bid of Illuminati Sex Kittens (those who underwent beta programming) to be portrayed in the media as teenage sex-symbols. In her first video, Britney is dressed as a Catholic school girl while singing the sexually charged lyrics “hit me baby one more time”. Some of her early photoshoots exploited the same theme, causing controversy.

A Dave Lachapelle (no stranger to mind control symbolism) photo mixing innocence and sexuality. The multiple dolls are also a Monarch programming references to multiple alter personalities.

About the above picture, Britney (who was 16 at the time) claimed that Lachapelle tricked her into a sexy shoot:

“Sexy superstar BRITNEY SPEARS is fond of the sexy photos taken of her by DAVID LaCHAPELLE for ROLLING STONE magazine – but insists the legendary snapper tricked her into it.
The BOYS beauty was just 16 when LaChapelle snapped her in her bedroom surrounded by dolls, and the finished product shocked readers around the world.
But Britney – who is now proud of the images – insists she had no idea they would turn out to be so saucy.
She says, “He came in and did the photos and totally tricked me. They were really cool but I didn’t really know what the hell I was doing. And, to be totally honest with you, at the time I was 16, so I really didn’t.
“I was back in my bedroom, and I had my little sweater on and he was like, ‘Undo your sweater a little bit more.’ The whole thing was about me being into dolls and in my naive mind I was like, ‘Here are my dolls!’
“And now I look back and I’m like, ‘Oh my gosh, what the hell?’ But he did a very good job of portraying me in that way. It certainly wasn’t peaches and cream.”
- Source

Tattoos are often significant in Monarch programming. One of Britney Spear’s first tattoos – a butterfly (a Monarch is a type of butterfly) leaving a vine – symbolizes the slave emerging from the elite’s bloodline system. Tattoos are the preferred way of the Illuminati to identify Monarch slaves (see former Disney child star Vanessa Hudgens first tattoo).

“A note should be made that the American intelligence agencies tattooed some of their slaves with blue Monarch butterflies, bluebirds, or roses for identification purposes. (…).”
- Op Cit. Springmeier.

After a couple of albums, where she went from singing “I’m not that innocent” to “I’m a slave 4 U” (can we be less subtle?), Britney became a fully grown woman and an industry veteran. Her “consecration” into the Illuminati industry was celebrated by Madonna in a symbolic performance during the 2003 VMAs, alongside fellow Mouseketeer Christina Aguilera.

Breakdown

It has been observed that years of Monarch programming often result in the subject breaking down around the age of 30. The unbearable abuse these slaves have to live through cannot be sustained for decades, especially when one is under constant public scrutiny. Celebrities who go through this kind of life almost inevitably succumb to drug abuse and self-destructive behavior. When their programming starts to fail, they often die in mysterious circumstances. Look at the lives of Monarch slaves such as Marilyn Monroe, Judy Garland and Anna Nicole Smith and see if you detect any similarities. Hopefully, this won’t happen to Britney.

In the past years, numerous events surrounding Britney Spears led to the questioning of her mental stability. Many strange episodes, documented by various sources, show that Britney often exhibits telling symptoms of a Monarch slave. One of them is having multiple personalities.

Monarch slaves are trained to dissociate and to take on alter personas, each of them having their own characteristics and even different accents. People close to Britney have described these precise symptoms:

“Sources are now painting a very disturbing picture of Britney Spears, or whoever she happens to be at any given moment.
We’re told the whole British accent thing — well, it’s more than an accent. Britney has multiple personalities, including, as people in her life call it, “the British girl.” We’re told when Spears loses the British personality, she has absolutely no idea what she did during the time she assumed that personality.
Sources say Brit has a number of other identities, where she becomes “the weepy girl, the diva, the incoherent girl,” and on and on.
Sources say Britney had become the British girl the day she didn’t show for her deposition and has no recollection of it.”
- Source

Britney Spears’ recent bizarre behaviour may be down to multiple personality disorder, it has been revealed.
The troubled singer’s ‘favourite’ identity appears to involve talking with a British accent, inspired by her latest boyfriend, Birmingham-born paparazzo boyfriend Adnan Ghalib.
Sources claim the singer, 26, is suffering from dissociative identity disorder, which leads the sufferers to take on various personalities to dissociate them from reality.
- Source

During her turbulent period with Kevin Federline, many accounts surfaced regarding her suicidal tendencies and her alleged bisexuality – other characteristics of a Monarch Sex Kitten.

Probably the most infamous moment of Britney’s public life is her head-shaving incident. The event occurred the day after she was admitted to rehab – “rehab” often being a code word for “programming”. At closer look at the details of this bizarre incident bear all of the signs of a mind-control slave attempting to break free from their handler’s control.

Here’s a video of a witness describing Britney’s state of mind.

So Britney said that she was tired of having things plugged into it (her head) and did not want anybody touching her. Is she referring to the abuse given by her mind-control handlers? Britney’s radical act of shaving her head might be a desperate attempt to “shed her old self” and restart anew. What did Britney refer to when mentioning “things plugged into her head”? One of the only instances in which something is plugged into someone’s head is during electroshock therapy- one of Monarch programming’s basic techniques (though it should be called electroshock torture).

“Electroshock is used to create the dissociation from trauma during the programming, and later it is used to remove memories after the slave has carried out a mission, or to instill fear and obedience in a reluctant slave. Slaves generally carry horrible body memories of excruciating electro-shock tortures to their entire bodies. As the slaves begin a therapeutic deprogramming process they will recover these horrible memories, not to mention many other painful memories.”
- Springmeier, Op. Cit

Despite Britney’s multiple attempts to break free, she is still under the Illuminati’s control. Proof of a celebrity’s allegiance can often be found in the slave’s body of work. Celebrities are indeed used to propagate the symbolism relating to mind control and to hide in plain sight the Illuminati’s modus operandi. Hold it Against Me is another blatant example of this Agenda as the video symbolically portrays Britney’s mind control by the industry.

Hold it Against Me

Hold it Against Me was directed by Jonas Akerlund, today’s go-to director for mind-control/occult imagery (see this previous Vigilant Citizen article on Lady Gaga’s Telephone). Not unlike Telephone, the video has absolutely nothing to do with the song’s lyrics. While the song is apparently about having sex with a stranger met in a club (promoting promiscuity to teens is always part of the Agenda), in the video there is no guy, no club and no sex. We only see Britney, trapped in a giant cylindrical modernist nightmare, attached to intravenous lines and wearing a wedding gown. The video gives the song another meaning: It becomes about Britney’s mind control and her alter personas. It is the classic Illuminati industry story of the “good girl gone bad” and all of the ritualistic symbols and color codes described in previous articles are thoroughly apparent.

At the beginning of the video, Britney is shown in a huge cylinder composed of television monitors and video cameras. This space symbolizes Britney’s “media prison”. Like mind control slaves, she is constantly monitored by her handlers using cameras. She is also being “programmed” as monitors continually display footage of Britney’s past videos. She is closed to the outside world and can only see the images that are fed to her, which are of herself as portrayed by handlers.
Britney is wearing a white wedding gown that hints at the ritualistic aspect of the video. The white dress symbolizes Britney’s purity and innocence at the beginning of the process. This will, of course, change.
To further emphasize Britney’s mind control, she is shown attached to intravenous (IV) lines.

IV therapy is the giving of substances directly into a vein. It is used in hospitals to deliver medication, blood transfusions and lethal injections. It is also used in Monarch programming.

“The following is a partial list of these forms of (trauma-based mind control) torture: (…)
16. Drugs to create illusion, confusion, and amnesia, often given by injection or intravenously.
17. Ingestion or intravenous toxic chemicals to create pain or illness, including chemotherapy agents. “
- Ellen P. Lacter, Ph.D, Kinds of Torture Endured in Ritual Abuse and Trauma-Based Mind Control

“If an alter is not being cooperative when they are accessed, they can be locked in place mentally and given a quick shot of a fast-acting hypnotic-inducing drug. One drug which was popular for programming was demerol, which would be administered intravenously (an IV). It takes about 5-7 minutes to take full effect after administration via an I.V. The dosage can be administered so that the effect remains until the programming session is over.”
- Springmeier, Op. Cit.

During the chorus of the song, Britney magically levitates.

In the video, the chorus is the moment where Britney dissociates and therefore symbolically levitates. In actual mind control, the dissociative slave gets a feeling of light-headedness, as if one is floating. The lyrics of the chorus emphasize the concept of escaping reality, in other words, dissociating:

If I said my heart was beating loud
If we could escape the crowd somehow
If I said I want your body now
Would you hold it against me
Cause you feel like paradise
I need a vacation tonight
So if I said I want your body now
Would you hold it against me

Due to the pain and torment lived by the mind-control victim, dissociating actually “feels like paradise” as the slave stops feeling physical pain. They are encouraged by their handlers to escape to their “happy place”. In other words, they “need a vacation”.
While Britney is levitated, strange eyeless dancers emerge from under her gown.

The lack of eyes of these dancers gives them a non-human quality. Do they represent the spirits/demons assigned to mind-control slaves during the occult rituals conducted by their handlers?

After the dissociation scene, the next step of Monarch programming is symbolically depicted: the creation of the alter persona. This happens in a big, messy ritual where the virginal Britney dressed in white gets soiled and consumed.

During the breakdown of the song, Britney’s IV lines start spilling out colored paint (instead of blood?) all over her white dress and the monitors showing images of her youth. It is the blood sacrifice, the soiling of her innocence, the ritual abuse she must take from her handlers.

While this happens, another scene depicts two Britneys fighting – a visual representation of what happens in the slave’s psyche: the battle between two personalities.

At the end of the battle, a new Britney emerges from the process. From the pure and innocent Britney dressed in a white wedding gown is created a bad, Sex-Kitten version of Britney, who is dressed in black BDSM-style leather and surrounded with men wearing masks.

Britney’s transformation is complete in yet another video exploiting the “good girl gone bad through mind control” theme – a theme that all female pop stars seemingly have to go through. The ritualistic metamorphosis from pure to promiscuous as portrayed by other stars including Rihanna (Umbrella), Lady Gaga (Bad Romance), Christina Aguilera (Not Myself Tonight), Mariah Carey (It’s Like That) and many others has taken place once more. Young viewers witness yet another ritual that is subliminally concealed in symbols and color codes.

In Conclusion

Britney is, without a doubt, a modern pop icon embodying both the inspiring and repulsive side of fame. She has achieved her life-long dream of becoming a successful singer, yet this success has required her to become part of a dark, manipulative, abusive system. Of the many pop stars promoting the Illuminati mind control agenda, Britney is one of the most obvious cases of an actual Monarch slave. We have looked at some events where Britney exhibited typical symptoms of a mind-control slave but many other instances could have been added. While it is easy ridicule the behavior and the work of pop stars, most people have absolutely no idea of the pain and the trauma these people have to suffer in order to be in the spotlight. The reason why some stars are able to remain popular and obtain airplay is because they are part of the System. Britney is part of it and, at this point, I don’t think she has much of a choice. Like other industry puppets, she is even forced to portray her own mind control in her works.
The Akerlund-directed video Hold it Against Me symbolically depicts the process of mind control and occult transformation in a semi-subliminal fashion. The constant usage of this concept in pop culture has many goals, including: numbing the viewers to the system’s symbolism and motive, forcing the performers to go through mega-rituals witnessed by millions of viewers, and hiding in plain sight the true nature of the industry. According to the Illuminati’s occult philosophy, it is their karmic duty to reveal their actions (whether in a subliminal, coded matter or not): Concealing and revealing is the game they play.
Critics of Hold it Against Me video said that “Britney didn’t seemed involved in the video and was not appearing to be having fun”. Would you have fun if you were forced to reenact a trauma you’ve been experiencing for your entire life?

Pages